A number of die hard music lovers and the Chesapeake Orchestra attended the River Concert on Friday July 22nd at 730PM,at St. Mary’s College of Maryland in the sweltering heat of high summer. The concert was purposely delayed a half hour, hoping the temperature would drop a little. The college kindly provided four cooling centers with air conditioning and cold water to help avoid health issues in the dangerous heat. Survival required lots of liquid refreshment and a visit to Kona Water Ice or Brewster Ice Cream. The little monkey statues at the Sunshines Catering Vendor described the evening well (pictured).
The evenings fare started with Leonard Bernstein’s “Three Dance Variations” from the ballet “Fancy Free”. This modern work was well played. I enjoyed the 3rd movement Danzon with lots of timpani and other percussion and a similarity to “West Side Story”. The first movement, Galop, was disjointed, abrupt and repetitive, while the Waltz was quieter and jerkier with lots of trumpets.
Judah Adashi’s ”Grace”, a 10 minute work, was presented next and was introduced by the composer. Mr. Adashi explained that the piece was in memory of rock star Jeff Buckley. José Cueto (pictured) expertly played this brief musical work with its soaring falsetto violin part with high notes difficult to even think, and Middle Eastern scales inspired by Adashi’s Israeli parentage.
Adashi’s music was followed by another short work by Jeffrey’s “favorite undead composer, David Froom”. “Amichai Songs” featured an excellent baritone soloist, William Sharp (pictured). While Froom insisted that his third movement, “The House of Lovers” was gentle and romantic, with the words “If we are lucky the house will collapse and the light will be set free for the whole world”, I wasn’t quite sure I agreed.
The highlight of the evening was definitely Gustav Mahler’s “Symphony No. 1 “The Titan”. The early part of the work was about nature and included repeated 2 notes on flute, sort of like raindrops on leaves. Later in the piece, some of the music was written in waltz time (1,2,3!) and the influence of the Hasidic could plainly be heard, along with snatches of “Frére Jacques” in a minor key in the third movement. The last section was definitely the best. How the orchestra survived the last energetic movement without at least one person being escorted away by the Ridge Rescue Squad was unknown, but their determination was much admired.
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